Music Reviews: Vinyl

Having owned a couple of copies of Mulligan Meets Monk, I’ve always felt that the stereo record magnified the differences between these two musicians by featuring them on different channels and casting too much of a spotlight on Mulligan’s sax. As good as those copies sound, including the 1980’s OJC LP and the AP 45 from the ‘90s, I had little experience with the mono recording that was made in the studio at the same time, except for a Fantasy SACD. So, when I heard... Read More

Roiled by political uncertainty and contention over race and identity, the late 2010s and early 2020s witnessed a resurgence of what’s now commonly called spiritual jazz. And close to the end of his life, with his final statement to the world, Pharoah Sanders found himself at the center of its discourse.The product of myriad cultural and ideological influences, this tenuously defined subset of the music nonetheless has identifiable hallmarks. It runs the gamut between... Read More

This year marks the 150th anniversary of the birth of one of France’s most distinctive artistic voices: Maurice Ravel (1875-1937). When one thinks of French painting, they think of Claude Monet. When one thinks of French sculptor’s, they’ll likely conjure to mind Auguste Rodin; and when one thinks of French music, the melodies that enter their head are likely to sound a lot like those of either Claude Debussy or Maurice Ravel. Both composers contributed greatly to... Read More

In just under ten years, songwriter/instrumentalist/vocalist Kevin Barnes transformed Of Montreal from a unified collective to a one-person operation. Having churned out whimsical baroque pop albums like Cherry Peel and The Gay Parade within the confinements of a band, Barnes took to working solo by dabbling in sonic experimentation and, inspired by their first marriage to Nina Grøttland, started writing in a more personal style. The initial fruits of this new... Read More

This is a good time to be alive if you are a Neil Young fan. For years, Neil Young, an archivist like few others, has saved everything. And when I mean everything, take a gander at the Neil Young Archives. Here we find photographs, original lyric sheets, ephemera, videos, and all the music. The music quality, it goes without saying, is also presented in a similarly archival manner. For those who stream, you are treated to a digital source that is as close as you can... Read More

In Greenwich Village, directly across from The Red Lion on Bleecker Street, an unremarkable mixed-use building conceals an extraordinary legacy.From 1964 to 1970, the basement of the defunct Garrick Theatre housed the Café Au Go Go — a pivotal New York club that welcomed legends ranging from Jimi Hendrix and B.B. King to the Grateful Dead. It opened with a bang: in its first year, comedic groundbreaker Lenny Bruce was arrested by undercover police after a performance... Read More

To Nick Finzer, the pioneering trombonist J.J. Johnson is often taken for granted. A standout among the new generation of trombonists, Finzer released Legacy — a full-album tribute to his hero, last year — “He’s one of those figures where people know and are familiar with his name,” he told me. “But when you start to dig a little deeper below the surface, people don’t realize how transformative he was.”Transformative indeed: in retrieving the trombone from its... Read More

David Bowie was the alien-like rock and roll messiah to teenagers of the glam era, but none would’ve guessed that soul music was part of his musical DNA when his career started in the mid-60s. His initial flirtation with the genre stems back to his 1974 album, Diamond Dogs, with tracks like “Rock ‘n’ Roll With Me” and the Orwellian-inspired “1984.” The influence grew more potent on the tour supporting the album, with his cover of Eddie Floyd’s “Knock on Wood”... Read More

Dexter Gordon was a striking figure—6’6” (one of his albums was called Long Tall Dexter), with a dry wit, a voice as foggily husky as his tenor saxophone tone, and (as an iconic photo taken by Herman Leonard reveals), lungs capacious enough to hold what looks like an entire cigarette’s worth of smoke in one breath. (This last trademark-feature led to his death from emphysema in 1990 at age 67.) In his last decade, Gordon became a true star, owing to a celebrated... Read More

The Incredible Jazz Guitar of Wes Montgomery, with Tommy Flanagan on piano and brothers Percy and Albert Heath on bass and drums, was the album that introduced electric guitarist John Leslie (Wes) Montgomery to the jazz world. It was recorded at Reeves Sound Studios in New York City on January 26 and 28 in 1960, when he was 35 years old. The album is now considered by many fans and critics to be the pinnacle of his recorded studio work, and it has influenced everyone... Read More

This is a solo jazz guitar album by one of the all-time best. If you’ve found your way here, it would be difficult to not like the scenery. But, you buy the ticket; you take the ride. As a result, some casual listeners may feel like they merely transacted with Joe. However, most will see this as a true gift. The name and the title tell you everything you need to know: Joe was a master and this, his tenth album and a first for Pablo Records in 1973, finds him at the... Read More

Scandinavians playing Dixieland/trad jazz is not my idea of a great musical treat—I don't care how well it's recorded and that's why though I've got a copy of the audiophile classic Jazz at the Pawn Shop and concede that it is among the greatest sounding jazz recordings ever, I can't remember that last time I listened to it.This record from Swing' Gate is something else, though it too treads in trad jazz land, because its leader, pianist... Read More

Like Song Cycle, Van Dyke Parks' ambitious 1967 debut, Lotti Golden's 1969 debut Motor-Cycle flopped when first released, but over the years both have gained cult followings and now finally Golden's gets a well-deserved reissue courtesy High Moon Records.The comparison may seem bizarre to anyone familiar with both (the "cycle" in both album titles has nothing to do with it), but as record biz tragi-stories they are surprisingly similar, though... Read More

Lightnin’ Hopkins was many things — a hauntingly personal guitarist, a casually riveting storyteller, and as the country blues tradition goes, a figure of resounding influence. Every scrape of a string, every craggy vocalization, every ribald bon mot, seemed to spring from the Texas soil itself. To put it plainly, the bluesman was real — about as real as it gets.From the ‘40s until his 1982 death, Hopkins weathered his share of peaks and valleys, as tastes ebbed and... Read More

It was just a few short weeks ago that our own Mark Ward reviewed the upcoming DG Original Source reissue of Karl Bohm’s 1971 outing of W.A. Mozart’s Requiem. If you would like a primer on the work, and also on separating your understanding of Mozart from the entertaining, but fictionalized tale presented in the film Amadeus, I would highly recommend reading Mark’s article here.The core repertoire of the classical cannon is rich with different recordings and... Read More

There wasn’t a better time than the early 2000s for a band to break through like The Donnas. After honing their craft on their first four albums on the independent punk label Lookout Records, the big leagues at Atlantic Records signed the female quartet. Between the release of the Spend The Night album, “Take It Off” becoming their signature track, and placements in film and video game soundtracks, they managed to break into the mainstream, brandishing a hard rock... Read More

A musical and sonic spectacular, k.d. lang's free-flowing, daring explorations of unrequited love/lust and liberation sound today as daringly personal, sometimes painful and always fresh as they did in 1992 when Ingénue was originally released to enthusiastic reviews, commercial success and multiple Grammy nominations and the well-deserved award for Best Female Pop Vocal Performance. Freed from her "country roots" on earlier records, Ingénue was a mix... Read More

Batch #7 of the Original Source Series of AAA vinyl reissues concludes with one of the gems of the 70s DG catalogue in a stunning sonic refresh, courtesy of Emil Berliner Studios, mastered and cut directly from multiple 8-track master tapes.  Don’t miss this one - even if you do not normally buy classical.

Batch #7 of DG’s Original Source vinyl reissues, mastered and cut directly from 4-track master tapes at Emil Berliner Studios, gets up close and personal in Scriabin’s masterpiece of sensual overload, and Tchaikovsky’s evergreen ode to forbidden love.