Acoustic Sounds
Lyra

Features: Discography

If my previous Tracking Angle review — on the new Pharoah Sanders Izipho Zam reissue — framed Strata-East within so-called spiritual jazz, this trio of new vinyl pressings should shake loose any such pigeonholing.(That’s the storied, forward-thinking jazz label, founded by trumpeter Charles Tolliver and pianist Stanley Cowell in 1971, whose new affiliation with Mack Avenue produced that Izipho Zam (My Gifts) reissue — read all about it. As the newly partnered... Read More

Here are the final six (of a total of a dozen) choral settings of extraordinary value, most of them unaccompanied (a-cappella). The settings are from Medieval times to our era, but are not necessarily in chronological order.

The Qobuz playlist is here: https://play.qobuz.com/playlist/25258347

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Here are the first six (of a total of a dozen) choral settings of extraordinary value, most of them unaccompanied (a-cappella). The settings are from Medieval times to our era, but are not necessarily in chronological order.

The Qobuz playlist is here: https://play.qobuz.com/playlist/25258347

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Today, the audiophile market is a goldmine for vinyl consumers. Whether it's Analogue Productions’ commemoration of Atlantic Records’ 75th anniversary or WMG’s Because Sound Matters venture, the pressings these and other companies are releasing have, for the most part, set a new sonic standard for timeless albums— in some cases outdoing originals. Reissue specialist Rhino Records, which it could be argued started the vinyl reissue ball rolling in the late... Read More

One of the most important - and least known - artifacts of 1970s jazz/rock fusion, Neil Ardley's Harmony of the Spheres, arrives in an exceptional AAA limited edition reissue from fledgling label Analogue October Records in the UK. I delve into the background and history of this groundbreaking record, assess the new reissue, and talk in detail with label founder Craig Crane about how this project came together, and his future plans for this label - one to watch.

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Here are my reviews of three new Resonance Records offerings: Charles Mingus’s In Argentina: The Buenos Aires Concerts, Kenny Dorham’s Blue Bossa in the Bronx: Live from the Blue Morocco, and Freddie Hubbard’s On Fire: Live from the Blue Morocco. All three are due out on Record Store Day, April 12; you can pre-order them now.It’s not Charles’ Mingus’s final set of performances, but it’s close. On June 2 and 3, 1977, the Angry Man of Jazz was nearing the end of the... Read More

This latest batch of Original Source releases shows that Deutsche Grammophon has been listening to collectors of this series who have been clamoring for more chamber and instrumental music.  Here we have two such peaks of the 70s catalogue in superb performances, plus two blockbuster orchestral releases that will seriously put your system through its paces.  All in all it’s a list of releases I am salivating over - and you should be too!

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Tracking Angle contributors Michael Johnson and Mark Ward sit down to discuss the music of French composer Maurice Ravel (1875-1937) in anticipation of the upcoming DG Original Source box set release of the composer’s Complete Orchestral Works performed by Seiji Ozawa and the Boston Symphony Orchestra. Read More

The third volume of the Blue Note Review, limited to 2,000 copies and entitled Truly Madly DeepLee Morgan is devoted to the music of the trumpeter Lee Morgan. Included in the box set is a Tone Poet style reissue of his 1967 recording, Sonic Boom, a reissue of a 45 RPM single of two tunes from his Charisma album, here 3 LP sides, also on a CD, of contemporary, artists playing Morgan compositions or music associated with him and a "never before released... Read More

A highly prized and rare 1957 recording featuring violinist Michèle Auclair and pianist Jacqueline Robin-Bonneau performing Debussy and Ravel Sonatas for violin and piano released in mono only on a 10" disc is joined on this new The French Record Company release by a previously unreleased performance of a Roussel sonata for violin and orchestra recorded during the same 1957 recording session. What's more, during his research for the release, the label's... Read More

By 1972, Yes was no longer fighting to prove themselves within the progressive rock scene. With Fragile having sold 500,000 copies in America alone and “Roundabout” being their first Top 20 hit, they earned the privilege to work without interference from the head honchos at Atlantic. When it came time to work on a follow-up album at London’s Advision Studios in the spring of 1972, the taste of commercial success didn’t lobby the members of Yes to try to recapture the... Read More

Batch #7 of the Original Source Series from Deutsche Grammophon is almost upon us, with Karl Böhm conducting Mozart’s Requiem and Michael Tilson Thomas conducting Tchaikovsky’s Symphony No. 1 to be released next week, and Tchaikovsky’s Romeo and Juliet plus Scriabin’s Poem of Ecstasy from Claudio Abbado in Boston due the week after.Also coming out on February 14th is Herbert von Karajan’s truly monumental recording of Mahler’s 6th Symphony, which I consider to be his... Read More

Last Friday night, with the Palisades Fire moving in the direction of our house, my wife and I loaded the car with photo albums, sleeping bags and a tent, and had our suitcases ready to go. Then, I realized I might have time (and the space) to pick out some records to take with me. In Part 1 I talked about my classical selections. In Part 2 it is time to go through my rock, jazz and film music collection and make my choices...

Beyond the seriousness of this moment, you might call this an impromptu tour through some of the highlights of my record collection: a diversion in harrowing times.

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As the LA Fire Tyger Roars, I decide which music to save that has accompanied me across 50 years and two continents...

Beyond the seriousness of this moment, you might call this an impromptu tour through some of the highlights of my record collection: a diversion in harrowing times. Part 1 focuses on my classical records; Part 2 on my rock, jazz and film music titles.

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With due apologies to Auric Goldfinger as he leered over Sean Connery about to have the family jewels melted by a laser beam, we continue our holiday stroll down Vinyl (and occasionally CD) Memory Lane and through the used bins for some choice Bondian music picks: original soundtracks and compilation albums, all featuring the indelible music of John Barry. (You can read Part 1 of this survey here).

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With due apologies to Auric Goldfinger as he leered over Sean Connery about to have the family jewels melted by a laser beam, let’s take a holiday stroll down Vinyl (and occasionally CD) Memory Lane and through the used bins for some choice Bondian music picks: original soundtracks and compilation albums, all featuring the indelible music of John Barry.

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Christmas comes early for followers of the spectacular Original Source vinyl reissues.  Prime your bank accounts for preorders starting December 13th… (Plus the winners of the OSS Test Pressing raffle are announced - in a unique way...)

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My main job in real life (to the extent any of our lives are real) is national-security columnist for Slate. Around this time every year, since 2003, its indulgent editors have let me write a piece on what I see as the year’s best jazz albums, usually the 10 best new recordings and the three best historical releases (which I have usually confined to music that for the most part hasn’t been issued before—in other words, excluding mere reissues). This past Wednesday,... Read More

Part 2 of my examination of this landmark release of Furtwängler's wartime recordings with the BPO continues with a detailed discussion of the music and performances contained on these records, and of their cultural, historical, and political context and significance.

You can read Part 1 here

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