Music Reviews: Avant-Garde Jazz

Why didn’t “The House That ‘Trane Built” release this Alice Coltrane record when it was originally recorded in Carnegie Hall February21st, 1971? It couldn’t have been because the musicians accompanying her weren’t worthy: Pharoah Sanders, Archie Shepp, Jimmy Garrison, Cecil McBee, Ed Blackwell, Clifford Jarvis and two lesser knowns. It wasn’t because it was poorly recorded. The engineer was David Jones, best known for recording the two classic Bill Evans Trio’s... Read More

While Rhino's "High Fidelity" series lacks a clearly identifiable direction or purpose—it seems to meander around the catalog without regard to time, place or purpose—there's one consistent strategy: each two record release has a rock title and a jazz title. Credit Rhino with chance-taking guts this round. Marquee Moon isn't exactly mainstream rock (though the reissue gives it that sound), and Ornette Coleman's music scares a lot of... Read More

Binging Ornette Coleman’s discography, from his early Contemporary recordings to his historic Atlantic period then the Blue Note releases and beyond, is a truly enriching experience. One hears how his sound developed over his first decade of recordings, how certain musicians fit in his groups, how he started exploring other instruments beside his usual alto sax. Last year, Blue Note’s Tone Poet series released Round Trip, a 6LP box set containing his mid-late 1960s... Read More

On my previous endeavor, June of 2020 writer Jeff Flaim covered, and we discovered avant-garde trumpeter Jaimie Branch and her supercharged, trumpet, drum, bass, cello quartet: Lester St. Louis, cello, voice, flute, marimba, keyboard, Jason Ajemian, double bass, electric bass, voice, marimba, and Chad Taylor, drums, mbira, timpani , bells, marimba. What do you call this? Punk Rock improvisatory jazz? The off the charts energy level of beating drums, bass, churning... Read More

Spring, drummer Tony Williams’ 1965 album on Blue Note, his second release as a leader, is a baffling recording. It’s a masterpiece. It reveals new angles, unlocks new mysteries on each listening. But beats me how or why it works.Williams (who, at the time, went by “Anthony Williams”) is credited with composing all five tracks, but except for one of them, “Love Song,” which has the structure and grace of a song, it’s hard to detect just what parts of what we hear were... Read More

Every few years, it seems, someone discovers another stack of long-lost tapes from a long-forgotten John Coltrane session and puts them out on CD, LP, or both. The resulting albums garner lavish praise and sell very well, but, really, they’re deep disappointments, textbook cases of hype—the allure of the new, the unknown, the never-before-heard-until-now! The first of the recent excavations, in 2018, was Both Directions at Once, a 1963 date at Rudy Van Gelder’s... Read More

“Funky” is not a word routinely linked to the Art Ensemble of Chicago, the pioneering avant-garde jazz group of the mid-1960s and beyond whose music tends more toward the cryptic and tangled. But put the needle on “Theme de Yoyo,” the first track of their 1970 album, Les Stances à Sophie, and you’ll be dancing in your head and on your feet in no time.The album was produced as the soundtrack to a French film of that title, and “Theme de Yoyo”—which has vocals by the... Read More

Anyone who predicted this is either a time traveler or is clinically insane (probably both). It’s December 2022, everyone’s “best albums of 2022” lists are out, and Lil B has dropped a jazz album.That’s right: Lil B The Based God, the rapper and motivational speaker who’s perhaps the most detrimentally prolific artist of our time (did anyone actually listen to all eight volumes of his 855 Song Based Freestyle Mixtape?), has made what can loosely be considered a jazz... Read More