In Part 2 of this look at Giulini's legendary recordings of the late symphonies of Anton Bruckner, we review Symphonies 8 and 9, and talk with Rainer Maillard at Emil Berliner Studios about what made the original recordings so successful (even though early digital), and how he went about freshening up the original masters to create these new vinyl reissues (which include the first ever vinyl release for the 9th Symphony). You can read Part 1 here.

Vera-Fi Audio’s “Vanguard Scout” shoebox-sized (but, which is DEFINITELY NOT an LS3/5A DESCENDANT OR EMULATION) loudspeaker, direct-to-consumer priced at $299 USD the pair, has had me ruminating on quite a few things.

Let’s get it out of the way: Dhani Harrison sounds a lot like his father George, except that he doesn’t sound like him at all. That’s a very "Beatley" way to begin the conversation, which lives within Dhani Harrison’s musicianship: the musical roots of his father are everywhere to be found, however Dhani has his own voice and musical vision.Though Dhani has a new album and project coming, his last solo release - Innerstanding (Hot Records/BMG) - released in... Read More

Carlo Maria Giulini is one of those conductors whose discography yields constant treasure, from his early Philharmonia recordings on EMI to his always surprising DG legacy with American orchestras like the Chicago Symphony and the Los Angeles Philharmonic.  A highlight of his later discography were the three Bruckner symphonies he recorded with the Vienna Philharmonic Orchestra in the fabled Musikverein. In the first of two articles we talk about what made conductor and composer so unique in their own fields and time, and review this new remastering from the same team at Emil Berliner Studios responsible for the highly successful Original Source Series of vinyl reissues - this time working from digital master tapes. Part 2 includes an extensive interview with Rainer Maillard about how the original sessions were recorded, and how he went about improving the sound for this landmark reissue.

There was something comforting about espying the large black banner with white lettering proudly waving “Innovative Audio” on Manhattan’s East 58th street, just down the block from the big boys of high end retail like Bergdorf Goodman. At a moment when hifi stores can seem like an endangered species, Innovative, as it’s known, represents a welcome success story. Run by audio veteran Elliot Fishkin, its elegantly spartan showrooms can be quickly reached by taking an... Read More

Within a marathon 12-hour recording session at London’s Regent Sound on October 16, 1969, four young men from Birmingham recorded one of the most influential debut albums ever. There were barely any overdubs and not an abundance of takes, just four guys playing their live set together in a room with enough time to make it to the pub for last orders and head to Switzerland to play a gig (true story!). Black Sabbath figured they were adding an edgier twist to the... Read More

Directly following Munich High End 2024 I drove with a friend to Switzerland and the next day attended along with some of Hi Fiction's international distributors a classical music concert of music by Dietrich Buxtehude performed by a quartet at a small, ancient church hosted by HiFiction's Micha Huber. It was a pleasant respite from the four days of show craziness!The next day at the Turbenthal factory, the company introduced its new Magnifier moving coil... Read More

Japanese conglams re-entering the two-channel audio market have mostly gone with nostalgia-based retro looking receivers. And why not? It’s what they were doing when they exited the market and there seems to be a newfound yearning for them among audio enthusiasts of all ages. Technics makes a few of these too, including the SU-R1000, a $10,000 full featured, "modernized" retro-looking integrated receiver.Technics has gone the opposite route with its SU-GX70,... Read More

Last winter I was asked by the High End Society, organizers of the High End Munich show to assemble and moderate a panel discussion revolving around vinyl playback. We agreed on the topic "Has Vinyl Playback Technology Gone As Far As It Can Possibly Go?" and I got to choose the participants, all of whom agreed to take part. In the photo above, (L-R): Ortofon's Chief Officer of Acoustics and Technology, Leif Johanssen, WAM Engineering / WallyTools... Read More

In Part 3 of this special Memorial Day weekend celebration of Benjamin Britten's timeless anti-war statement, we tell the story of how Decca revisited the master tapes and used the latest technology to bring this historic recording back to life for a new generation of listeners on vinyl and CD/SACD.

In Part 2 of this special Memorial Day weekend celebration of Benjamin Britten's timeless anti-war statement, we tell the story of the Decca sessions - led by producer John Culshaw and engineer Kenneth Wilkinson - which created one of the acknowledged classics of the gramophone.

By Sunday most everyone is beat to a pulp and ready for the show to be over but go on it must! For those covering it there's never enough time. As I began assembling day four's videos I realized I'd missed some key ones that should have been posted on days one, two and three, so in addition to what I managed to get on day four, you'll find some earlier coverage. This one begins on the show floor with Audio Research's Dave Gordon who runs us... Read More

From the moment it was released in 1963, Decca's recording of the War Requiem with the composer conducting was hailed as a supreme achievement of the gramophone. It sold over 200,000 copies in a few months, and is universally acknowledged as a classic. Marking Memorial Day weekend, we tell the story of its composition, recording, and assess the new vinyl and CD/SACD remasterings.

One would think The Lemon Twigs were captured in a time capsule from the ‘60s and brought into the 21st century. Consisting of brothers Brian and Michael D’Addario, the duo craft retro-sounding rock with influences derivative of baroque, indie, glam, and power pop. It is ludicrous for any modern artist with an obvious trace of influence from decades past to be dubbed as “passé.” The Lemon Twigs manage to take every cliche of the genres they explore into one giant... Read More

Day Three included two breaks in the normal convention coverage flow: first in the A.M. I moderated a seminar titled "Has Vinyl Playback Technology Gone About As Far As It Can Go?" with participants Mark Dohmann (Dohmann Audio), Craig Milnes (Wilson-Benesch), Leif Johannsen (Ortofon) and J.R. Boisclair (WallyTools/WAM Engineering). All over the past decade have advance the art and science of vinyl playback, so their take on the question was interesting and... Read More