Just because Tracking Angle unapologetically advocates for analog-based audio doesn’t mean we are digital troglodytes. I am confident that many professed analog lovers out there are "closet streamers," so staying updated on the fast-changing developments in the digital arena is important. Combining analog musical satisfaction with digital music's convenience and accessibility is a lofty but worthwhile goal. But don’t fret; this is not an announcement... Read More

Elliott Smith’s 1998 major label debut, XO, isn’t as vibey as its predecessor, 1997’s Either/Or. Nor is it as laser-focused as its follow-up, 2000’s Figure 8 — the Sgt. Pepper... to XO’s Revolver.Still, XO is special. It captured a crucial creative flowering for the late Smith, where an artist known for lo-fi hyper-intimacy strolled into a succession of L.A. studios with a head full of new sounds, and the confidence to let them loose. And a large handful of its songs... Read More

Here's what happened and why the original review did not include comparisons to the DCC Compact Classics version, the Sax cut double 45 and the Plangent processed edition: just as I'd done the original vs UHQR comparison, it was time for a major loudspeaker install so I was down for two days. Rather than wait I chose to post what I already had. Now here's the rest.First, with the new speakers set up for review (Acora VRCs), I re-listened to tracks from... Read More

Artisan Sound Recorders masterings from "back in the day" were and are held in the highest esteem, kind of like "RL STERLING" (or any Sterling). For instance, if you want the best version of Exile on Main Street you want one with the Artisan stamp on it. The original L.A. Woman has the Artisan stamp.An original L.A. Woman pressing sounds great as anyone who owns one knows. It's arguably the best sounding Doors album. I have two and both also... Read More

An exclusive transatlantic video discussion including an essential new historical video covering the original DGG production of Herbert Von Karajan and the BPO's Bruckner Symphony cycle, hosted by Deutsche Gramophon's Johannes Gleim with Emil Berliner Studios' Tonmeister, mastering engineer and Managing Director Rainer Maillard, cutting engineer Sidney Meyer, Tracking Angle's contributing writer Mark Ward and editor Michael Fremer. This box set is... Read More

Today, it’s rare to discover music without any prior knowledge of it. We usually have some vague sense of the genre, sound, or artist. But, I had no idea what to expect from Joshua Moshier before the needle hit his debut album’s grooves. It quickly became clear to me that Moshier is an exceptionally talented musician. And I further learned that he’s an Emmy-nominated composer, songwriter, and pianist who has crafted music for series, films, interactive media, and the... Read More

Our man in Japan, whose website is Rice Field Records took in the recent Tokyo Audio Fair and produced this video report. The show always has a great vibe. Attendees are respectful and most often want to hear classical music and good jazz. The presentations are useful too. Enjoy! Read More

(There's NEW AUDIO attached to the video below). The German company Sonopress last year announced that it was developing an injection molded vinyl record production process, calling the resulting record an "EcoRecord". The environmentally friendly process is similar to how optical media like laserdiscs, CDs, DVDs and Blu-ray discs are manufactured (Sonopress developed 4K Ultra HD Blu-ray technology). With optical disc popularity giving way to streaming... Read More

Our friend Charles Kirmuss appeared on The Audiophile Junkie YouTube channel recently and claimed the superiority of tangential tracking arms without explaining the negatives. There are positives and negatives to everything in this hobby so J.R. and I asked to make a joint guest appearance to "cavitate" the situation.The video is below. The comments so far are interesting. My favorite is this one: "Excellent information. Very enjoyable. I sent this... Read More

Kind of a "surprise drop" from Analogue Productions. Bernie Grundman mastered from original analog tape at 33 1/3, AAA all the way, pressed on 200g UHQR Clarity vinyl. New packaging, plus die-cut direct to board jacket duplicates the original. One of the best Doors albums and possibly the best sounding as well. Read More

It seems like the only notifications in my inbox that come more often than Democratic Party money begs are Warner Records announcements of new Neil Young Archive releases. It's hard to keep up and so many are so good. Very little filler. There are 198 tracks in the upcoming Archives Vol. III (1976-1987) and I'v been sorting through that, though there won't be vinyl. Understandable! This recent one deserves your attention if you're a true Neil and... Read More

Barcelona-based Elemental Music has secured a significant deal with Motown Records to reissue a selection of classic albums from the iconic label's catalog. Dubbed the Motown Sound Collection, the series will feature over twenty titles. Jordi Soley, the founder of Elemental Music and producer of the project, explains, “For many of the albums that we’ll be putting out throughout 2024 and into 2025, it will be their first reissue since their original release.... Read More

This album arrived in the mail featuring jazz vocalist Teri Roiger, her husband and bassist John Menegon, both unfamiliar to me, plus always a joy to enjoy, Jack DeJohnette and Kenny Burrell (drums and guitar, but you already knew that). How this session happened—have DeJohnette and Burrell ever played together previously or ever again?—I don't know. But once I played it and heard Roiger's vocals I think I understood why those two did the gig, why I needed... Read More

Two recent connections provided the perfect opening for this review. One was from a guy I'd not heard from in more than twenty five years. He'd visited my basement listening space but I don't recall the circumstances. Contacting me via LinkedIn, he wrote, "I don’t think I’ve ever heard a system and room as gorgeous as your Glen Rock room. Not the recording studios I’ve been in. Not the radio station rooms I’ve broadcast from in years past. I can’t... Read More

The Japanese firm DS Audio has been on a mission to revive and massively improve optical-based cartridges since CEO Tetsuaki Aoyagi introduced the DS Audio W1 in early 2014, updating Toshiba's optical cart concept from the 1970s. The DS W3 model I’m reviewing here is considered one of the company’s third-generation designs and incorporates many improvements taken from the top-of-the-line Grand Master Ex, Grand Master, and DS Master 3.(Editor's note: I... Read More